Based on an exploration of the marking of time, these piles were completed as part of a task i set myself, whereby i made one every half an hour. The piles consist of donated waste paper from my friends and family, so the objects represent an archiving of the details of people's lives, but in a way that cannot be accessed. My intention is to create a sense of curiosity and an evocation of memory in the viewer.

These are a series of prints i made based on found items. Along with my piece, 'Letters from A. Vicario', these were shown at RANK/OUTSIDERS, a show which I organized in Art's Bar, Camberwell in June 2009.

I was asked to take some photograph of the singer Meme Love (www.myspace.com/memelovemusic) as part of her residency at the Water Rats in Kings Cross, London.

I was part of a collaborative project in which we explored the notion of atmosphere, authority and performance. As a group, we created an environment which was designed to be uncomfortable for the viewer, whether the performance was taking place or not. We also experimented with the notion of surveillance and the spectator, and the power dynamics this involves.

Images of my work at New Word for Modern at Ping Pong Bar in Berlin.

Photographs I took with my Diana F+ camera in switzerland.

Portraits I took of Meme Love (myspace.com/memelovemusic)

As part of the Chateau D'If exhibition at Shoreditch town hall in November 2009, I made a piece called Count for the Day. Based on the novel Count of Monte Cristo, the piece was inspired by the protagonist's masquerade as a Count. The image is the passport picture of Charles Stopford, an American conman who lived as Christopher Buckingham, an English Aristocrat who in fact died as a baby.

Using footage from my childhood home moives

The installation represents the culmination of my experiences at Flat Time House, in particular my aim to find the personal in the archive. My investigation focused on the books in the archive, in particular on their function both as personal items as well as an integral part of Lathams practice in his Skoob works. This piece is part 3 of 4 of a series of works resulting from a research collaboration between Central Saint Martins and Flat Time House, Peckham. Flat Time House is now open as a gallery and research centre, exhibiting the work of Latham, his contemporaries and artists whose work relates to his Time-base theories. Latham's archive is kept in the house and is subject to ongoing research and digitisation.