Curator and founder of La Scatola Gallery, Valentina Fois gives insight into the latest artist to join their ranks, Korean born, London based Jukhee Kwon, a Camberwell MA Book Arts graduate who ‘destroys’ books in order to give them a new life as epic sculptures.

Sadie Hennessy’s ‘Strange Hungers’ is not the kind of quiet exhibition that needs to be coaxed into the confession of its secrets. The show is a Freudian wonderland of sexual suggestion which joyfully pushes us towards the uncomfortably intimate, “puncturing the bubble of importance that surrounds” taboo subjects like pornography.

The inaugural LUX/ICA Biennial of Moving Images is a four-day celebration of contemporary artists’ moving image. The Central Saint-Martins/LUX MRes Art: Moving Image students will co-produce a 2-day symposium for UK-based MA and PhD students to present their research into artists’ moving image, exploring ideas around ‘failure’ and ‘contemporary currents’. Mark Blay, one of the organisers elaborates for Jotta.

Bringing together performance and moving-image work which considers interaction and identification with public space, Towards Common Ground will engage with an invited audience as well as the passersby with live, public artworks. The curators, Amy McDonnell and Ying Tan question what produces a sense of belonging to public space and what produces social agency.

This month WW Gallery made the move from Hackney Downs to the glittering-midst of Hatton Garden’s jewellers. The inaugural exhibition, Frightening Albert, iunveils new work by artist, Phil Illingworth, who takes inspiration from the notorious Watson experiments of the 1920s which explored stimulus and response.